The study of human body measurements on a comparative basis is known as anthropometrics. Its applicability to the design process is seen in the physical fit; or interface; between the human body and the various components of interior space.Human Dimension and Interior Space is the first major anthropometrically based reference book of design standards for use by all those involved with the physical planning and detailing of interiors; including interior designers; architects; furniture designers; builders; industrial designers; and students of design. The use of anthropometric data; although no substitute for good design or sound professional judgment should be viewed as one of the many tools required in the design process. This comprehensive overview of anthropometrics consists of three parts.The first part deals with the theory and application of anthropometrics and includes a special section dealing with physically disabled and elderly people. It provides the designer with the fundamentals of anthropometrics and a basic understanding of how interior design standards are established. The second part contains easy-to-read; illustrated anthropometric tables; which provide the most current data available on human body size; organized by age and percentile groupings. Also included is data relative to the range of joint motion and body sizes of children. The third part contains hundreds of dimensioned drawings; illustrating in plan and section the proper anthropometrically based relationship between user and space. The types of spaces range from residential and commercial to recreational and institutional; and all dimensions include metric conversions.In the Epilogue; the authors challenge the interior design profession; the building industry; and the furniture manufacturer to seriously explore the problem of adjustability in design. They expose the fallacy of designing to accommodate the so-called average man; who; in fact; does not exist. Using government data; including studies prepared by Dr. Howard Stoudt; Dr. Albert Damon; and Dr. Ross McFarland; formerly of the Harvard School of Public Health; and Jean Roberts of the U.S. Public Health Service; Panero and Zelnik have devised a system of interior design reference standards; easily understood through a series of charts and situation drawings. With Human Dimension and Interior Space; these standards are now accessible to all designers of interior environments.
#2949582 in eBooks 2013-10-21 2013-10-22File Name: B00FZ2UU8K
Review
5 of 5 people found the following review helpful. Shakespeare taking chancesBy Ricardo MioCymbeline is among Shakespeares last five plays; four of which are romances: "Pericles;" "The Winters Tale;" "The Tempest;" and "Cymbeline." ldquo;Cymbeline" is the least performed of the four; the plot is complicated; and the characters are mostly one dimensional (except for the heroine Imogen and the Machiavellian Iachimo). The play is ambitious; too; and entails all of Shakespeares favorite subjects: love; loss; treachery; the unequal conflict between the good and the evil; and the fragile balance between men and women. However; Imogen is one of the Bards inspired creations; on the level of Rosalind; but put through a far more harrowing experience. Helen Faucet; the 19th century actress; suggested the play should be retitled "Imogen; Princess of Britain.rdquo; She has a point. The reason to read the play (so say the critics) is for Shakespearersquo;s particularly exquisite verse. ldquo;Cymbelinerdquo; is perhaps an acquired taste; but worth seeing for unsinkable Imogen; who has been played by a number of great actors down through the years; including Vanessa Redgrave and Dame Judi Dench. No less than Charles Van Doren has counted it among his five favorite plays by William Shakespeare. More about that later.The story is reminiscent of Snow White and the Seven Dwarfs--with added pitfalls. Imogenrsquo;s stepmother; the evil queen; wants her to marry her son; clueless and irredeemable Cloten. Against the Queenrsquo;s wishes; and that of her father; King Cymbeline; she marries Posthumus. Posthumus is then banished from Britain. Before departing for Rome; he gives a bracelet to Imogen. In Rome; Posthumus meets the cunning interloper Iachimo; who tells him that his wife can be made unfaithful. Later; in Britain; in one of the playrsquo;s truly bizarre scenes; Iachimo hides in a trunk in Imogenrsquo;s bedroom. While shersquo;s asleep; he emerges and steals her bracelet. Learning that Iachimo has the bracelet; Posthumus believes the worst and orders his servant Pisanio to kill her. Meanwhile; Rome demands tribute from Britain but Cymbeline refuses. Pisanio; faithful to the bewildered Imogen; tells her to disguise as a boy and seek refuge with the invading Roman army. She becomes lost in Wales and meets a long-ago banished lord; Belarius; and two youths who are the sons of Cymbeline; and therefore princes; and Imogenrsquo;s brothers. Belarius kidnapped them when he was banished and has raised them as his own sons; although Cymbeline doesnrsquo;t know this; he thinks theyrsquo;re dead. Imogen; meanwhile; becomes ill and takes a drug that puts her into such a deep sleep that she appears to be dead. Cloten arrives on the scene dressed in Posthumusrsquo; clothes; up to no good; and is killed by one of the princes. Imogen awakes and thinks Clotenrsquo;s headless body is that of her husbandrsquo;s. Deeply grieved; she joins the Roman general; whose forces are ready to attack Cymbelines forces. The courage of Belarius and the two princes win the day for Britain. All come before Cymbeline where; one revelation growing from another; the plotrsquo;s many twists are unraveled. Cymbeline is reunited with his sons and happiness returns to the kingdom; except for the evil Queen; who has died mysteriously. Even Iachimo the interloper and liar is pardoned. Imogen and Posthumous are reunited and presumably live happily ever after.Sound far-fetched? It is. The playrsquo;s saving grace is Imogen; ever faithful; ever pure of heart; ever plucky and resourceful; and allotted the playrsquo;s sublimest lines; and Iachimo; rat though he is; Shakespeare renders a three-dimensional character. The rest are one-dimensional cardboard characters--stiff; myopic; inclined to believe the worst. About Imogen; in his book ldquo;William Shakespeare;rdquo; George Branes writes: ldquo;We see her in the most various situations; and she is equal to them all. We see her exposed to trial after trial; each harder than the last; and she emerges from them all; not only unscathed; but with her rare and enchanting qualities thrown into ever stronger belief.rdquo;Finally; Charles Van Doren has this to say: ldquo;When you have written 30 players; and know everything about writing plays; and in particular know that your skill will not allow you to make any really bad mistakes; you may be willing to take some very big chances and try some things that have never been tried before. This is what Shakespeare does in lsquo;Cymbelinersquo; and it is the reason above all why I love the play.rdquo;2 of 2 people found the following review helpful. The Darkly Humorous--Richard II--is ReviewedBy Brian Wayne WellsThis is a copy of the famous Shakespeare play--Richard III--published by Signet Publishing Company. This particular publisher has been my favorite publisher Shakespeare plays since my undergraduate days. Signets entire collection of Shakespeares plays contains much more than the simple transcript of the play itself. Each volume contains an extensive number of essays and articles on the particular play which is contained in the volume. I have gone back to these volumes time and time again in order to read these articles.0 of 0 people found the following review helpful. Is this Shakespeare or is it Shakespeare?By James BonavitoMy eight year old son and I took turns reading the pages of Romeo and Juliet. He and I both were excited and interested in the story not that we were reading and learning great Shakespeare. ( a very nice way to sneak in great works of art) This series of Shakespeare for children books is an excellent way to introduce your younger children ( especially boys) to a little more sophistocated literature without any fuss.