Teach cello with the popular Suzuki Cello School. Titles:* Sonata in C Major; Op. 40; No. 1; Allegro (J. B. Breacute;val)* Sonata in C Major; Op. 40; No. 1; Rondo grazioso (J. B. Breacute;val)* Adagio and Allegro from the Sonata in E minor; Op. 1; No. 2 (B. Marcello)* Minuets from the Suite in G Major; BWV 1007 (J. S. Bach)* Tonalization* Chanson Triste; Op. 40; No. 2 for Piano (P. I. Tchaikovsky)
#1035347 in eBooks 2005-05-03 2015-10-27File Name: B00EUPJ84U
Review
8 of 8 people found the following review helpful. Terrible WritingBy conceptusSince Ween is one of my favorite bands; and has been for years; I was really looking forward to this book. However; as the previous reviewer touched upon; this is really; really poorly written. Like sophomore english class bad. Indeed; it reads like a student essay--and a sloppy one at that--rather than a coherent book. The misspellings are really unforgivable in this age of spell correct; ESPECIALLY since this is a book people are paying for. Some other examples of sloppy writing include Schteamers tendency to mistakenly refer to the wrong song title when discussing that particular song. I encountered that 2 -3 times. Also; he writes things like "As weve seen; Ween improved their live playing" which again; reads like an essay. He writes "As weve seen" a lot. Also hell be discussing a song; and write something like "Strangely; Elliot Smith covered this." Why is that strange? He actually invokes "strangely" inappropriately a number of times. Another thing he does is refer to everything as "episodes." Like hell refer to a solo in a song as an "episode." Its just stupid. This guy had no business writing this book. Or any book; really. The abysmal writing is surprising given how credentialed this guy is--he writes for Time Out New York--but I guess that just tells you how far the craft of writing has sunk in the popular realm. I read and enjoyed the writing of the other 33 1/3 book I read on Pavements Wowie Zowie.I basically realized I had to skip the parts that Schteamer wrote in this Ween book; and just read the quotes from the band members; since those are the only portions that provide any sort of insight or coherence. All in all; I feel bad for the members of Ween; that this is the published document on their album. Its embarrassing.0 of 0 people found the following review helpful. ... information and forgave the somewhat sloppy writing- I would love to see another Ween book about their subsequent work ...By Ernest Hemingway "M"Devoured this information and forgave the somewhat sloppy writing- I would love to see another Ween book about their subsequent work because albums like White Pepper ; Mollusk; and Quebec; and their Country album (12 Golden Country Greats) deserve further treatment and if they ever crank out some new work; it will be nice to see a book about that and the band breakup/recovery and their solo work and side projects that stemmed from that.0 of 0 people found the following review helpful. Its a start.By Roland St.GermainSince there are not any other books that cover the advent and development of Ween; this is going to have to do for the time being.Dont get me wrong - there is sufficient information to answer some questions that fans may have; but in a generalized way. There is some follow-up of the groups post CC activities; but much of it is presented with broad strokes. If youre looking for every nut and bolt here; it will be a disappointment; however; it will serve as a useful guide until a more comprehensive biography sees the light of day.And if you have the time; you can finish it in one sitting like I did.