(Bass Recorded Versions). A must-have for any bass player! This outstanding 200-song collection features note-for-note bass transcriptions with tab; straight from the original recordings. All styles of music are represented in this massive compilation. Includes: All Apologies * All Shook Up * Another One Bites the Dust * Are You Gonna Go My Way * Baby Love * Bad Medicine * Badge * Barracuda * Beast of Burden * Blue on Black * Blue Suede Shoes * Blueberry Hill * Brass in Pocket * Bulls on Parade * Carry on Wayward Son * Cherry Pie * Come Out and Play * Come to My Window * Come Together * Couldnt Stand the Weather * Detroit Rock City * Eight Days a Week * Fly Away * Free Ride * Get Ready * Great Balls of Fire * Hard to Handle * Hey Joe * Hey Man Nice Shot * Higher Ground * I Can See for Miles * I Fought the Law * The Impression That I Get * Into the Great Wide Open * Iris * Iron Man * Jessica * Learn to Fly * Maggie May * Maria Maria * Money * My Girl * Oye Como Va * Paperback Writer * Paranoid * Pride and Joy * Riding with the King * Semi-Charmed Life * Sultans of Swing * Under Pressure * Walk of Life * Would? * Wonderwall * and many more!
#1710562 in eBooks 2009-01-01 2009-01-01File Name: B00FJ6C346
Review
4 of 4 people found the following review helpful. Best book on this topic since Joseph Paduanos INFRARED NUDE PHOTOGRAPHYBy Jayme BlaschkeOne of the most annoying aspects of most digital infrared books is that they invariably spend the first third of the book explaining what infrared is; how digital infrared works and the like. Basic filler thats been repeated in every IR book published since 2001. Thankfully; Laurie Klein skips all that. Photographing the Female Form isnt for the novice. It assumes the reader already has a competent working knowledge of IR photography and jumps right in. This isnt exactly a detailed how-to. Klein doesnt provide extensive lighting diagrams for each image. Yes; she lists the equipment used and shooting conditions; but mostly she focuses on her artistic choices; symbolism and intent with each image. Outtakes from most of the sessions are included; with an explanation why one particular shot was rejected in favor of another. For me; interested in other photographers creative processes; this was engaging and thought-provoking. Others are going to bounce off; hard. This book isnt for everyone. Check out the "Look Inside" preview and see if whats there appeals to you; because that approach dominates the book.My one complaint? Kleins style is generally monotone; almost exclusively a soft; low-contrast black-and-white with a few mild false-color images thrown in on occasion. Theres a sameness throughout; which; while not necessarily bad; is limiting the full potential of infrared. There are no deep (~830nm) high-contrast black-and-whites here; nor are there any dramatic; channel-swapped false-color images. That narrows the appeal some; but is not a deal-breaker.Overall; Kleins book is a solid work; but one that will appeal to a mostly niche audience.0 of 0 people found the following review helpful. A Visual AdventureBy Patrick C. CookBooks on the subject of digital infrared photography donrsquo;t come to market often - when they do Irsquo;m the first to purchase them. My interest in digital infrared is fueled by the challenge to utilize the infrared (actually ldquo;near-infraredrdquo;) spectrum as a tool in my own photography due to its unique attributes. The more I pursue digital infrared photography; the more I recognize the skill it actually requires. So; it was a natural act on my part to purchase ldquo;Photographing the Female Form with Digital Infraredrdquo; to see how the author utilized infrared in photography; especially with human subjects which are very difficult subjects in infrared.I; admittedly; expected a number of images that were more-or-less accidently good enough to construct a printed book. I expected more teaching text than exists due to the bookrsquo;s promotion with phrases like ldquo;Compose more powerful imagesrdquo;; ldquo;Smooth or enhance texturesrdquo; and others. Naturally; I expected to be taught photography within the digital infrared arena. I was wrong on both accounts ndash; Kleinrsquo;s images are by no means accidently good and this is not a technical book on digital infrared photography. But this is a case where my incorrect expectations were a good thing.Klein did something Irsquo;ve never seen before in photography books (and I buy many); let alone in photography education. Absent are long text dialogs of every detail of how to do this or that. Absent are lectures on technical subjects that pull the reader away from the subject images and into some word-fantasy that ldquo;you can do this toordquo;. Absent are gear and software reviews; post-processing techniques and the other stuff that; ironically; can easily detract from the point of photography. Yet; without all of the supportive ldquo;text teachingrdquo; in Kleinrsquo;s book; I learned a great deal about digital infrared and photography in general. The learning came from viewing Kleinrsquo;s images; supported with just enough text to give context to her choice of composition and her artistic intention for the images. This; in my opinion; is a brilliant way to construct a photography book because less text leaves more time to study the subject image. At least in my case; that gave me the leeway to teach myself through image observation. Imagine that ndash; a book that actually honors its images with just enough supportive text to launch self-learning by giving some context to the image yet not stealing the reader away from the image. Indeed; had Kleinrsquo;s images been any more explained than they were; her readers would have been robbed of self-discovering the meaning and mystery of her images.There is much more to this book than digital infrared. So much more that I suspect that the term digital infrared in the title was a publishing ploy that capitalizes on the lack of current books that address digital infrared photography. But that seems to be window dressing; because itrsquo;s clear that Klein has moved well beyond any infatuation with digital infrared and has attained the coveted place of utilizing it for its artistic power; not because of its technical mystery or even its challenge. I needed that lesson; because itrsquo;s easy to delve deep into the technical which can have the negative effect of forgetting (or never attaining) digital infraredrsquo;s artistic and creative use. To illustrate her mature attitude about digital Infrared; Klein occasionally mentions in passing the photographic effects of infrared; such as water bodies tending to be black. And when such attributes are mentioned; it is only in the context of her artistic intention for the image. This; for me; was powerful learning because Kleinrsquo;s book invits me to put aside my appetite for the technical and actually look at images to learn from them; not just about them.Klein manages to visually convey concepts such as innocence; ephemeral and tension to name just a few; using female models in settings that support her photographic intention. I greatly enjoyed storylines such as ldquo;Gifts from the Goddessrdquo;; ldquo;Vortexrdquo; and ldquo;The Doorrdquo;; to mention only a few. I can only hope for such story-telling skill as I progress in my own photography. What an adventure this book is! All of the authorrsquo;s images invite the viewer into them because they always have a story to convey; yet leave much room for the viewerrsquo;s imagination. Kleinrsquo;s skillful use of infrared aids her story-telling because infrared changes the appearance of visually common elements that are too easily taken for granted. Yet the use of infrared is risky due to its technical challenges and risk of creating a visually misunderstood image. However; I believe that Klein understands what she is doing fully and deeply on the creative; artistic and even technical levels; making this an excellent photography book on several fronts.Prior to purchasing ldquo;Photographing the Female Form with Digital Infraredrdquo; I had two photography books that I would not part with for anything. Now I have three.0 of 0 people found the following review helpful. Fabulous ImagesBy cragusa23Excellent book with wonderful images. I have taken several workshops from Laurie Klein She is a wonderful women and great photographer. She has great workshops at Peters Valley in the Delaware Water Gap in NJ. She is a wonderful mentor and your photography can only get better if you work with her. She provides a safe environment and her critiques are non-judge mental; She encouraged you to get out of your comfort zone and try new things. If you ever get the chance to work with her and take one of her workshops; you wont be dissappointed.