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Between You and Me: Queer Disclosures in the New York Art World; 1948ndash;1963

DOC Between You and Me: Queer Disclosures in the New York Art World; 1948ndash;1963 by Gavin Butt in Arts-Photography

Description

Visual Time offers a rare consideration of the idea of time in art history. Non-Western art histories currently have an unprecedented prominence in the discipline. To what extent are their artistic narratives commensurate with those told about Western art? Does time run at the same speed in all places? Keith Moxey argues that the discipline of art history has been too attached to interpreting works of art based on a teleological categorizationmdash;demonstrating how each work influences the next as part of a linear sequencemdash;which he sees as tied to Western notions of modernity. In contrast; he emphasizes how the experience of viewing art creates its own aesthetic time; where the viewer is entranced by the work itself rather than what it represents about the historical moment when it was created. Moxey discusses the art; and writing about the art; of modern and contemporary artists; such as Gerard Sekoto; Thomas Demand; Hiroshi Sugimoto; and Cindy Sherman; as well as the sixteenth-century figures Pieter Bruegel the Elder; Albrecht Duuml;rer; Matthias Gruuml;newald; and Hans Holbein. In the process; he addresses the phenomenological turn in the study of the image; its application to the understanding of particular artists; the ways verisimilitude eludes time in both the past and the present; and the role of time in nationalist accounts of the past.


#2430455 in eBooks 2005-08-30 2005-08-30File Name: B00EHNTEMQ


Review
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