Emma Nardi; Introduction; Marie-Clarteacute; Orsquo;Neill; Colette Dufresne-Tasseacute;; laquo;Best practiceraquo; ou projet exemplaire. Programmes drsquo;eacute;ducation et drsquo;action culturelle. Deacute;crire; analyser et appreacute;cier une reacute;alisation; Maacute;rio Nuno do Bento Antas; Network of archaeology clubs in schools; Paolo Campetella; Home; sweet home; Francesco Cochetti; Growing with culture; Marie-Pierre Delaporte Beacute;ra; Visiter le museacute;e drsquo;art et drsquo;histoire du Judaiuml;sme en famille; Antje Kaysers; Hannelore Kunz-Ott; Schule@Museum; Andreacute;ia Menezes De Bernardi; Programme Vamos ao Museu?; Cinzia Angelini; Teresa Savoia; Opening museums to offenders; Martina De Luca; The memory of beauty; Viviane Panelli-Sarraf; Accessible Cultural Extension Program; Marina Tsekou; National Museum of Contemporary Art (EMST) Without Borders.
2012-12-04 2012-12-04File Name: B00AIDTNIE
Review
2 of 2 people found the following review helpful. The intangible becomes tangible in the actors artBy Spirit VisitorThis is an outstanding introduction to the technique of Michael Chekhov. The principles listed in this book are invaluable to any actor in training; auditions or in the professional world. With companion texts; such as THE MICHAEL CHEKHOV HANDBOOK LESSONS FOR THE PROFESSIONAL ACTOR; this book is invaluable in its description of exercises as well as foundation activities of this technique. A vastly spiritual and energetic technique; the philosophy of Michael Chekhov is phenomenally freeing to ones personal imagination and encourages the student and professional to celebrate "creative individuality" through images; visions and use of the sensory imagination. As well; Chekhovs philosophy of beauty as internal to each artist is explored; discussed and made concrete. Overall; this is also a great source of inspiration to all artists concerning the courage to believe and create and express their inner lives --and how these discoveries and expressions of self can be employed in the living of roles and in the analysis of dramatic text.0 of 0 people found the following review helpful. Five StarsBy Claudia AdamsOne of the best books on the subject.0 of 0 people found the following review helpful. Five StarsBy Carol Vanessexcellent