Diploma Thesis from the year 2010 in the subject Art - History of Art; grade: exellent; Saint-Petersburg State University; language: Russian; abstract: The research studies the Judith image in the early modern European art and culture. The author studies the iconography of the image understanding it as a marker of cultural context and European consciousness. Starting from 15th century we can speak about Judith as a heroine with her own feelings and personality; while in the Middle Ages the image was seen in the symbolic Christian light. The specific attention is paid to the processes of the transaction from ecclesiastical understanding to temporal one during the Renaissance. The author looks for reason why her deed has left the heroic meaning; and the image has become fatal. One of the carefully studied problems is the correspondence between images of Salome and Judith; which was noticed by E. Panofsky. The development of iconography in context of patristic tradition is compared consecutively from the very beginning to the 17th century images. The content of the diploma thesis is the following: Introductionsect;1 Aims and metodology of the research3sect;2 Review of the sourses and literature7sect;3 The authorrsquo;s publications on the theme11Chapter I. The images of Judith and Salome in the Middle Ages and early Renaissance sect; 1 Cultural features of the periods13sect;2 The image of Judith in Middle Ages as triumth of virtue 16sect;3 The image of Salome in Middle Ages as unknown dancer21sect;4 The image of Judith in the 14-15th centuries.: traditional iconograthy; but new meanings24sect;5 The image of Judith in Italian art of the late 15th28sect;6 The image of Salome in 14-15th centuries Italian art.: the emergence of the heroine31sect;7 Conslusions34 Chapter II. The unity of contraditions: the 16th century images of Judith and Salomesect; 1 Cultural trends in European 16th century countries36sect;2 The image of Judith during the Wars of Religion37sect;3 Judith and Salome in the context of querelle des femmes40sect;4 Judith and Salome in 16th century Italian art46sect;4 Conslusions51Глава III. The image of Judith in barocco art of 17th century sect;1 Modern periond and its laws53sect; 2 Judith and Salome seen by Caravaggio and his followers54sect;3 Conslusions59Conslusion62The list of the sourses and literature65
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