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Clapton's Guitar: Watching Wayne Henderson Build the Perfect Instrument

DOC Clapton's Guitar: Watching Wayne Henderson Build the Perfect Instrument by Allen St. John in Arts-Photography

Description

In 1994; Eric Clapton came across a Wayne Henderson guitar in a recording studio and decided on the spot that he had to have one. Rarer than Stradivarius violins; these musical works of art are built from near-extinct Brazilian Rosewood; Appalachian spruce; black ebony; and fine mother-of-pearl. With Hendersons keen ear for the vibrations of each piece of wood he uses; each note that comes out of them has the power of a cannon and the sweetness of maple syrup. In Claptons Guitar; Allen St. John recounts how a perfect acoustic guitar comes into the world and how an artist gauges perfection. Wayne Henderson; master luthier and genius in blue jeans; will tell you that he simply puts penknife to wood and carves away "everything that isnt a guitar." This is the story of a master artist; set deep in the mountains of southwestern Virginia in a brick; one-story guitar shop; as busy and chaotic inside as it is simple outside. The space is well-lighted; cluttered with power tools; air hoses; and guitar bodies in various stages of completion. It is in this modest shop that Wayne Henderson crafts some of the most highly coveted acoustic guitars on earth; including one very special instrument he built for Eric Clapton. Normally; there is a ten-year wait for a Henderson guitar; and St. John finds there are no exceptions even for an iconic figure like Clapton. But seeing it as a shortcut to getting his own guitar done; St. John jump-starts the process; and then takes readers with him on a mesmerizing journey into the heart of high-end instrument making with the man The Washington Post calls the "Mad Scientist of Mountain Music." Henderson; a small-town wise man; is not only the star of this book as a master guitar maker but also is the star of any stage he sets foot on as a master guitar player; equally at home at Carnegie Hall or the local VFW hall. Around this drolly humorous man circulates a small coterie of colorful characters and inspired musicians; who welcome you for an all-too-brief visit. By books end; you too will want to be Wayne Hendersons friend. In a rich tapestry of folklore and folksiness; St. John tells the story of building the Clapton guitar in loving detail; from the centuries-old forests where great tonewood grows; to the auction floor of Christies where one of Claptons guitars commands over $700;000. Its also a loving look at Waynes corner of the world; the Blue Ridge mountain hamlets where American traditional music was born; and of Waynes hometown of Rugby; Virginia; population 7; where the winding roads have kept progress at bay. Whether you love old-time music; unplugged rock; traditional American craftsmanship; or simply gifted storytelling; Claptons Guitar is an engaging work that you will want to savor and share with friends.


#217977 in eBooks 2005-10-12 2005-10-12File Name: B000FCKI2S


Review
4 of 4 people found the following review helpful. Cross-Cultural KaraokeBy Z. StieglerAs a whole; Karaoke Around the World provides an interesting look at karaoke from a number of perspectives. The juxtaposition of writers provides an interesting cross-cultural comparison of karaoke; looking at Japan; Italy; Sweden; the UK; Japanese communities abroad; and a number of East Asian cultures as well.The topics examined cover a wide range (socialization; cultural exchange; technology; etc.); but there is definitely an emphasis on karaoke as a cultural practice.As is the tendency of such collections; some chapters shine while others leave a bit to be desired. Still; the volume is a worthwhile purchase for anyone interested in karaoke scholarship.Highlights:*Toru Mitsui- The Genesis of Karaoke: How the Combination of Technology and Music Evolved*Johan Fornas- Filling Voids Along the Byway: Identification and Interpretation in the Swedish Forms of Karaoke*Casey Man Kong Lum- The Karaoke Dilemma: On the Interaction Between Collectivism and Individualism in the Karaoke SpaceA particular low point is Hiroshi Ogawas chapter. While an interesting point of examination (karaokes effects on the Japanese music culture and industry); the presentation falls short. I would venture to say that the chapter is a translation; and that therein lies the source of stylistic flaws (although I am uncertain if thats the case).

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