Ricchezza sfrenata; sazietagrave;. Poi gli occhi di un capriolo immobile contro tutta lrsquo;assurda velocitagrave; del mondo. Il bivio e la scelta. Un nuovo percorso alla ricerca di unrsquo;intimitagrave; perduta; alla ricerca di nuovi silenzi; lontano da rumori assordanti. Lrsquo;esperienza dura e rigida saragrave; capace di pulire lrsquo;anima fino a scavare dentro gli angoli della profonditagrave;; scovando tracce del bisogno di amare ed essere amati. Una donna e un figlio saranno lrsquo;occasione attesa per ricominciare; per dimostrare a se stesso di aspettarsi molto piugrave; dalla vita.
#171245 in eBooks 2013-09-30 2013-09-30File Name: B00ER83NNW
Review
0 of 0 people found the following review helpful. "Mystifying Disney"By PubliusVery disappointing; often ill-informed; like so many books about Disney loosed on the world from the satanic mills of academe. Presented in the subtitle as "A History of Disney Feature Animation;" this slender; 150-page tome is anything but.It is; instead; a disjointed hotchpotch of eight essays that are topically all over the map; factually challenged; and ndash; surprise; surprise ndash; larded with Post-modern jargon. Of the eight chapters; only one is devoted entirely to a Disney film: "Destino;" which isnt even a "feature" film ndash; the title of Pallants book notwithstanding. Salvador Daliacute; worked on "Destino" at the Disney studio in 1945-1946. It was planned as a cartoon short; part of an ambitious package film like "Fantasia;" but both projects were abandoned by Walt. "Destino" was not "completed" until half a century later; years after both Disney and Daliacute; had died; and released by the Disney Company in 2003.Among Pallants more nuts-and-bolts failings: the consistent misspelling of the last name of Disney animator Ollie Johnston as "Johnson;" and a base reliance; in order to spice up his text; on outlandish statements by the discredited Disney "biographer;" Marc Eliot. Pallant also indulges in the odd sophomoric device of ending each chapter with a section labeled "Conclusion." And he is especially proud of having concocted the term "Disney-Formalism" which he insists on using in place of the standard; more comprehensible expression "Classic Disney.""Demystifying Disney" is based on Pallants doctoral thesis; and one can understand why he would wish to see it published in order to advance his career. It is; however; hard to forgive his PhD advisor at Bangor University (across the pond in North Wales) for giving the thesis his blessing; and harder still to forgive Pallants publisher; Bloomsbury; for foisting this dogs lunch of so-called scholarship off on an unsuspecting public. The overblown and intellectually dishonest; incestuous praise from Pallants colleagues in British academe; is particularly appalling. Or should I say; "mystifying"?