Are legal concepts of intellectual property and copyright related to artistic notions of invention and originality? Do literary and legal scholars have anything to learn from each other; or should the legal debate be viewed as separate from questions of aesthetics? Bridging what are usually perceived as two distinct areas of inquiry; this interdisciplinary volume begins with a reflection on the "origins" of literary and legal questions in the Enlightenment to consider their ramifications in the post-Enlightenment and contemporary world. Tying in to the growing scholarly interest in connections between law and literature; on the one hand; and to the contemporary interrogation of "originality" and "authorship;" on the other hand; the present volume furthers research in the field by providing a dense study of the legal and historical context to re-examine our current assumptions about supposed earlier Enlightenment and Romantic ideals of individual authorship and originality.
#86502 in eBooks 2014-04-22 2014-04-22File Name: B00FUZQZE0
Review
0 of 0 people found the following review helpful. Great book of bass lines for Led Zeppelin IVBy Scott SheltzGreat book of bass lines for Led Zeppelin IV. The transcription for Four Stick misses the mark. In the transcription if shows a C3# when it should be an E. If you cross check it when the guitar transcription; the guitar is playing E. All the others look to be right; I havent had a chance to go through every song yet. Since the Battle of Evermore and Going to California are only mandolin and guitar there is no bass part. So the book ends up short compared to the album and guitar version. Overall pretty good for the price.