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Exhibit-Design (Italian Edition)

DOC Exhibit-Design (Italian Edition) by Duccio Brunelli Arch. in Arts-Photography

Description

Practical Ecology for Planners; Developers; and Citizens introduces and explains key ecological concepts for planners; landscape architects; developers; and others involved in planning and building human habitats. The book is tailored to meet the needs of busy land use professionals and citizens seeking a concise yet thorough overview of ecology and its applications. It offers clear guidelines and a wealth of information on how we can protect species and ecosystems while at the same creating healthy; sustainable human communities. Throughout the book; the authors make ecological concepts accessible to readers with little or no scientific background. They present key ideas and information in simple and pragmatic terms; and provide numerous graphics to help explain important concepts. They also offer exercises for the reader to practice ecologically-based planning and design; along with a list of resources for practical information on ecology and conservation. Practical Ecology for Planners; Developers; and Citizens will raise the level of ecological understanding among land use professionals and citizens; and is an invaluable new resource for anyone concerned with human land use and its environmental impacts.


2013-04-05 2013-04-05File Name: B00CB3AT3W


Review
0 of 1 people found the following review helpful. Interesting yet difficultBy BYU VAEDU 397Master Narratives and Their Discontents by James Elkins is a very difficult read. If one is not familiar with words often used to describe "art" and "art criticism" it is a very difficult book to follow. I am somewhat familiar with but not a master of "art" terminology but it was very difficult for me to read. This book is written for the highly educated; heavy readers. Mr. Elkins presents many one-lined interesting ideas that are worthy of sitting and thinking about for a few minutes; but does not provide enough for one; such as I; to want to read the book all night through. One should also consider reading all the volumes rather than just the first because it seems that Mr. Elkins is just providing an introduction to the majority of his ideas in volume one. If you are looking for a book that contains multiple opinions towards the theories of modernism and postmodernism then this this not the book for you. The book is filled with Mr. Elkins personal ideas and opinions.8 of 13 people found the following review helpful. A thoughtful and thought-provoking engagement with the many versions of art history competing in academia todayBy Midwest Book ReviewThe first volume of the new "Theories of Modernism and Postmodernism in the Visual Arts" series from Routledge; Master Narratives And Their Discontents by James Elkins (E.C. Chadbourne Chair; Department of Art History; Theory; and Criticism; School of the Art Institute of Chicago) offers a thoughtful and thought-provoking engagement with the many versions of art history competing in academia today. Professor Elkins argues that the story of modernism and postmodernism is typically told in one of four narratives with works of art being classified as modern or postmodern; and praised for their technical skills; or because of the politics those works appear to embody. Master Narratives And Their Discontents is a work of impeccable scholarship and especially recommended to the attention of students of Art History and inclusion into Art Department and academic library reference collections.2 of 5 people found the following review helpful. More about Elkins bookBy henry clamanFirst; please read the above from Midwest Review. It describes Elkins book but the prospective reader should know more. If you are interested in bringing some orderly comprehension into an inherently DISORDERLY field; i.e. contemporary art (mainly; for Elkins; painting) he might be your guide. He is a prolific expert (as he shows on every page). But beware - this is a book for the already very knowledgeable. It is a series of lectures. They are difficult in style. It is small format. It seems indefensible to me to write today an illustrated art history book using only BW pictures. Were the lecture slides BW? Their titles are not found by the picture but either in the text or back in the beginning of the book. The discussions are interesting but very academic in tone and vocabulary. I wish it were more accessible.

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