Now in full color; this guide helps the lighting designer with all of the many creative and operational challenges you face. Providing respected and clear coverage of the process of programming automated lighting fixtures; Brad Schiller brings you from basic principles to pre-production preparations. Concepts; procedures; and guidelines to ensure a successful production are covered as well as troubleshooting; much needed information on work relationships; and of course all of the fun technology including LED lighting; console networking; digital lighting; and more. The final chapter brings the creative thinking of some of the heaviest hitting lighting designers of today; featuring Butch Allen; Jason Badger; Mike Baldassari; Richard Belliveau; Allen Branton; John Broderick; Dall Brown; Mark Butts; David Chance; Christian Choi; Vickie Claiborne; David Davidian; Patrick Dierson; C. Andrew Dunning; Mike Falconer; John Featherstone; Cory Fitzgerald; Laura Frank; Demfis Fyssicopulos; Craig Gaff; Steve Garner; Jon Griffin; Tim Grivas; Rob Halliday; Bryan Hartley; Bud Horowitz; Steve Irwin; Seth Jackson; Mark "Junior" Jacobson; Shannon January; David "Gurn" Kaniski; Mats Karlson; Eric Kennedy; Tom Kenny; Hillary Knox; Marcus Kromer; Jim Lenahan; Steve Lieberman; Esteban Lima; Heath Marrinan; Michael Nevitt; Adrian Ngieng; Paul Normandale; Jim Ohrberg; Steve Owens; Mitch Peebles; Paul Pelletier; John Rayment; Benoit Richard; Scott Riley; Larry "Uncle Fester" Robbins; Timothy F. Rogers; Susan Rose; Arnold Serame; Marsha Stern; Henry M. Sume; Howard Ungerleider; Lawrence Upton; Jon "Hillbilly" Weir; and Ross Williams.
#1133842 in eBooks 2013-03-20 2013-03-20File Name: B00BY79JUK
Review
2 of 2 people found the following review helpful. Fantastic reference for understanding musical analysis of these piecesBy Anny C BigelowMy favorite part of these is volume two. I play the bass lines with students in their lesson. It is a wonderful tool for teaching; and helping students understand the harmonic motion and architecture in these pieces.7 of 8 people found the following review helpful. Clearing up myriad questions for all.By Tony SteveThis text was purchased in preparation for graduate school studies. These ideas and analysis are perfect for everyone; especially a non-cellist preparing to play the work on the marimba.Dr. Winold gets to the point. He provides a clear history of the works and creates a lucid picture of what Bach might have wanted to hear.He presents ideas about interpretation that makes the journey of studying these pieces a joy.I only wish this book had been available 25 years ago. If you are playing these works this book is a must have in your library.2 of 3 people found the following review helpful. Really top notchBy Doug S.I am reading this book on the subway. And I know next to nothing about music theory. A couple of things - it helps (a lot!!!) to have both volumes as the musical examples are really essential. Hard to do on the subway. That said; its a really wonderful intro to music theory. A bit dryball at times but thats okay because this guy knows his stuff and Bach is worth it. Forget those other books on "music appreciation" - this is the real deal! I supplement it by reading the Wikipedia entries on terms used by the author. Its like figuring out a fascinating puzzle. My only recommendation would be to combine this in a single volume ( or read it on a large screen kindle or iPad).