Studienarbeit aus dem Jahr 2009 im Fachbereich Kunst - Fotografie und Film; Note: 1;0; Friedrich-Schiller-Universitauml;t Jena (Kunsthistorisches Seminar); Veranstaltung: Lebende Bilder; Sprache: Deutsch; Abstract: Es ist schon eine schouml;ne Beschauml;ftigung sein Wochenende in einer Ausstellung alter Meister zu verbringen. Ganz so wie es immer gepredigt wird; wirken Gemauml;lde in Natura tatsauml;chlich ganz anders als ihre Kopien in Buuml;chern. Man erkennt die reale Grouml;szlig;e; die realen Farben und mit etwas Gluuml;ck sogar die Pinselfuuml;hrung des Kuuml;nstlers. Das ganze Kunstwerk wird viel realer. Es gibt aber noch eine Steigerung des Wirklichkeitscharakters von Bildern in Tableaux vivants ndash; Lebenden Bildern. Dabei wird das Bild aus seiner Zweidimensionalitauml;t gerissen und schreitet mit Hilfe von lebendigen Personen tatsauml;chlich in die Wirklichkeit. Gemauml;lde werden mouml;glichst detailgetreu und bewegungslos nachgestellt. Besonders in der Goethezeit war dieser Zeitvertreib sehr beliebt. Schouml;nheit und Anmut sollten vermittelt werden ; und die Grenzen zwischen betrachtendem Subjekt und betrachtetem Objekt wurden spielerisch verwischt.Wieso aber greift ein Filmemacher des zwanzigsten Jahrhunderts auf die Darstellung lebender; aber trotzdem statischer; Bilder inmitten eines bewegten Filmes zuruuml;ck? Eben das tat Pasolini 1963 in seinem dritten Film La Ricotta. Dreimal wird der schwarz-weiszlig;e Handlungsverlauf von cholorierten; statischen Bildern; die einen sehr starken Kontrast zum restlichen Film darstellen; unterbrochen. Steht auch hier die Darstellung des Schouml;nen im Vordergrund oder handelt es sich nur um Effekthascherei; um Farbtupfer in farbloser Umgebung?Diese Hausarbeit stellt sich der Frage nach der Funktion der lebenden Bilder in La Ricotta. Dafuuml;r werden zunauml;chst einige allgemeine Anmerkungen zum Thema Tableaux vivants gemacht; bevor nach Blick auf die Vorbilder des Regisseurs Pasolini ein Versuch erfolgt die Stellung und Funktion der lebenden Bilder im vorliegenden Film zu verstehen.
#4248300 in eBooks 2009-12-10 2009-12-10File Name: B00C7DA5QM
Review
10 of 10 people found the following review helpful. Well-written book by a good man to happens to be a great Rock StarBy Miss PIve read many books about Aerosmith. This is my favorite. Joes writing style is warm and inviting. I found it hard to put this book down. It was like Joe was sitting with me in my living room telling me his story. I was left feeling like I knew Joe. Yes he is a Rock Superstar. Guitars and music are his passion. He makes no excuses and he doesnt have to. He adores his wife and family; loves nature and appreciates simple things. Who knew? Through the good and the bad --its obvious that Joe has an appreciation for the lessons he has learned along the way. He candidly talks about the struggles between he and Steven; yet he leaves me believing that he truly loves the guy. The incorrigible yet adorable Steven Tyler will forever be his brother. (okay maybe Joe wouldnt call him adorable - that part is me talking) Joe admits that "lack of communication" on both of their parts was often to blame for many of their issues. He explains in more detail the issues with Tim Collins and owns his part in bringing him into the fold. Before I read this book; I thought of Joe as an awesome guitarist who seemed as sullen and mysterious as he was sexy and gorgeous. In my mind he is still all that; but so much more. Buy the book! It is a worthy read!!2 of 2 people found the following review helpful. Great for Aerosmith fans and popular culture hobbyists; less so for othersBy DalcassianAerosmith fans will mostly love this book. General rock and hard rock fans and guitar gear geeks will probably really like it or like it somewhat. Popular culture fans; and students of the psychology of fame and addiction; will find it interesting. For most others; it will probably have not much of interest; but the book wasnt written for them.Fans will not find a lot new here. The Judy Carne romance episode is fresh and interesting; though the young folks wont know of her fame. Still; Perry and his ghost author explain the story of his life and career well and Perry comes through as a sincere lover of rock and blues music and his fans.The books does confirm; intentionally or not; who the bands biggest talent is: its singer; Steven Tyler. Perry can riff with extraordinary creativity and; over (a long) time; Perry self-learned to make the guitar into a dynamic tool of his natural talent and devoted work. But Tyler; whose music background was bred from childhood and family professional history; and who possesses a natural feel for melody; lyric wordplay and rhythm (along with a unique voice and a behind-the-scenes mastery of many instruments) really was the main force that propelled the band and its songs into classic and monster-selling status. The other members of the band contributed a lot as well; and one of the weaknesses of this book is that Perry speaks so little of them; though he is gracious when he does. But the sound of Aerosmiths strong and versatile instrumentation is hardly just Perry. His self-confessed vice of arrogance (and apparent envy here and there) creeps through.Perrys clear anger at Tylers ego; behind-the-back maneuvering; and weak work-ethic (as compared to Perry and the other band members) remains justified nevertheless. Some of this book is letting off that steam while admiring Tyler and even appreciating Tylers virtues of helpfulness; talent; and in earlier days; friendship and loyalty. "Rocks" manages to be effective as both tribute and complaint.Perry and Tylers famed drug issues remain mysterious before and after this book. Perry is candid enough; despite anti-addiction sentiments; to admit that the appeal of drug use was simply that it is fun; and it even helped with some creativity in their growth period. But the origin of that addiction -- a self-medication for ADD?; a self-destructive alcoholic granddads genes? -- or of his drive-to fame is not clarified. In the case of Tyler and Perry the addictions also come paradoxically in the face of being raised comfortably and non-abusively by loving and supportive parents; whose love and memory are returned and celebrated here. The only generation gap issue for Perry was long-hair in his high school days and Perrys parents were more supportive than harassing.Ultimately; Perry is his origins -- a moderate conservative American white guy (of immigrant Portugese-Italian background) from middle class suburbia but who has an unusual career and a high-energy drive towards it. He supports Republicans and brags about his kids careers and his later stable long-term marriage and family. He is very very subtly disdainful of; or perhaps more fairly said; distancing of; gays; or at least being identified with non-heterosexuality. His blues-fan sense is also more directed at English white blues-rockers than original black bluesmen. (This doesnt make him racist -- he is sincerely proud of having helped break MTVs video bias-barrier against black videos with the Run-DMC "Walk This Way" collaboration. But he is not some social radical seeking new and "diverse" experiences.)Joe Perry is one of the genuinely stuffiest of genuinely cool dudes.Again; the book tells us not much more than fans already knew. But fans will mostly enjoy it. And one final section -- an extended discussion of his "backline" and equipment -- will give those who love their amps; guitars; and effects; and all the brand names and models that go with that; a full out gear-gasm.This is a fine book; aimed at fans; with no great revelations or insights; but enough adventures and information to keep interested readers. . . . interested. And it will keep fans pleased and rewarded; though probably not wholly satisfied if they want new information or perspective.1 of 1 people found the following review helpful. Its a good bookBy Ravenous ReaderJoes always been the one to watch in Aerosmith. The man can pretty much out-riff and out-groove anyone on the guitar; and keeps the music grounded and chugging along while that motormouth frontman (who shall remain nameless because he needs no further attention) bounces off the walls and mugs for the camera.Joe always let the music do the talking for him; so its a treat to hear him finally open his mouth and tell his story. I liked this book because it was about him and his family and their lives; not just the usual litany of groupies laid; concerts played and records made (though thats in there; too).Its a good book. Nice collection of photos; and a detailed run-down of his gear for any guitarists wanting to know how he does what he does.Long life to you; Joe.