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Gospel's Greatest Fake Book (Fake Books)

DOC Gospel's Greatest Fake Book (Fake Books) by Hal Leonard Corporation in Arts-Photography

Description

Sir Michael Tippett is widely considered to be one of the most individual composers of the twentieth century; whose music continues to be performed to critical acclaim throughout the world. Written by a team of international scholars; this Companion provides a wide ranging and accessible study of Tippett and his works. It discusses the contexts and concepts of modernism; tradition; politics; sexuality and creativity that shaped Tippetts music and ideas; engaging with archive materials; relevant literature and models of interpretation. Chapters explore the genres in which Tippett composed; including opera; symphony; string quartet; concerto and piano sonata; to shed new light on his major works and draw attention to those that have not yet received the attention they deserve. Directing knowledge and expertise towards a wide readership; this book will enrich the listening experience and broaden understanding of the music of this endlessly fascinating and challenging composer.


#870709 in eBooks 2000-01-01 2000-01-01File Name: B00G9587WS


Review
2 of 2 people found the following review helpful. Solid beauty; nicely presentedBy Charles S. HouserThis brief study of the warehouses of Manchester; England; the textile capital of the world for almost a century; is thoughtfully argued and easy to follow. If you are at all intrigued by industrial architecture in general or grandiose visions of Victorian self-importance; you will enjoy this book. The photographs; technical drawings; and archival images in this "English Heritage" guide are exquisite and a joy to study. Manchesters first warehouses were built when the canals connected this city to the port city of Liverpool to the west; and they multiplied and morphed with the advent of the railroads. As Manchester became a key commercial center; these utilitarian buildings became a fascinating blend of functionality and ornament. Their public faces and ground floor showrooms were designed to impress and charm clients; while the upper floors; loading bays; and hydralic systems served the functional needs of moving; storing; and compressing wares (powerful compressors were used to expel excess air from bales of cloth).By the late 1920s the textile industry had dispersed and many of the old warehouses fell into disuse. Manchester has done much to repurpose these solid old buildings--into hotels; office space; and residences; for instance. As the authors conclude; "The challenge for Manchester; as with all cities; is to continue to [make] careful and informed decisions about these buildings; recognising and giving weight to their individual importance and the contribution they make to the wider cityscape."

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