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Il pescatore di tonni: 11 (Narrativa) (Italian Edition)

DOC Il pescatore di tonni: 11 (Narrativa) (Italian Edition) by Raffaele Mangano in Arts-Photography

Description

Opera Coaching is the first practical guide for pianists; singers; and opera producers to this important--and often neglected--career. The opera coach is a teacher who helps singers not only meet the physical and vocal demands of a score; but--like the dramatic coach--shapes their entire performance. The opera coach must have a wide knowledge; from a full understanding of human physiognomy and the human voice; to the many languages used in Western vocal music; to the entire expanse of the opera repertoire; from its roots in 17th century sung drama through todays most modern compositions. "Opera Coaching "covers all of these topics and more; making it the ideal resource for anyone interested in this fascinating career.


#3752936 in eBooks 2013-02-05 2013-02-05File Name: B00BC6FS94


Review
12 of 14 people found the following review helpful. Blurring the line between performance and criticismBy Ryan McGeeA heartfelt and harrowing examination of various cultural elements; as disparate as the Rose Theatre in london to the Anita Hill/Clarence Thomas hearings; in which Phelan has found the common thread of the public performance of mourning. "Mourning" for Phelan means not merely the connotative sense of sadness and crying; but rather a sense of longing; a sense of inaction; an inability to properly react; to remember.The book stands along the intersection of two primary elements. First; it stands as an insightful series of performance criticism; she is especially illuminating in her dissection of the cultural and sexual implications in the uncovering of the Rose Theatre; in which Christopher Marlowe often had his plays performed. At times; however; the book itself becomes a forum for performance itself; most vividly and movingly in "Shattered Skulls"; where; as many times in the book; the narrative turns into a first person perspective; although this first person is not quite Phelan herself. With the juxtaposition of thses two elements; Phelan effectively traces and exposes the inherent performance tropes which both infuse and infect out everyday relations.This meager review cannot adequately describe the shimmering beauty of Phelans prose and her laser-sharp insight. I cannot recommed it highly enough.

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