PDF Lusaka: The New Capital of Northern Rhodesia (Studies in International Planning History) by Meller Helen in Arts-Photography

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Just Williamrsquo;. The name conjures memories of Richmal Cromptonrsquo;s favourite character. No childhood was complete without the outrageous exploits of William and his constant companions; lsquo;The Outlaws.rsquo; Sculptor Graham Ibbeson was beguiled by the words in the bestselling books and by the portrait of William on the front covers; a cheeky boy with tousled hair and a catapult sticking out of a pocket. Decades later Graham produced his own version of William; immortalized in fibre glass for the Bethnal Green Museum of Childhood; to mark the centenary of Cromptonrsquo;s birth. The Daily Mirror was so impressed by this tribute to one of fictionrsquo;s wonderful characters that one of its staff men photographed Graham walking with the statue up one of the last remaining cobbled streets in Barnsley. Much of Grahamrsquo;s work has revolved around childhood. His early years figure in much of his amusing fibre glass work and characters such as George and Eric are based on Graham and his cousin; Paul. His own humour responds to the distant sounds of boyhood and in a way this book is a celebration of childhood and laughter. It also traces the setbacks and triumphs of an artist who was born in a mining village and who produced a national icon; the Eric Morecambe statue; which helped to turn the economic tide in the Lancashire resort of Morecambe. The book outlines the stories behind other notable public statues; including Laurel and Hardy; Les Dawson; Dickie Bird and Cary Grant. It is both an informative and entertaining book about the life and times of the peoplersquo;s sculptor; a man whose craftsmanship has left an elegant and permanent mark on more than 30 of the countryrsquo;s townscapes