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Old Washington; D.C. in Early Photographs; 1846-1932

audiobook Old Washington; D.C. in Early Photographs; 1846-1932 by Robert Reed in Arts-Photography

Description

The rise and growth of Washington; D. C.; in the nineteenth century closely paralleled the invention and development of photography mdash; a felicitous circumstance that made possible this valuable photographic record of the early years of the nations capital. Culled from the archives of the Library of Congress; Smithsonian; Columbia Historical Society; and other sources; these 224 rare prints (including works by such Victorian-era cameramen as Brady; Bishop; Plumbe; Hiller; Peale; et al.) constitute a vivid and enduring record of a city in progress mdash; from sparsely settled provincial southern town to majestic seat of national power and influence.In spite of their vintage (over half are pre-1900; the earliest a striking 1846 daguerreotype of the Capitol under construction); these priceless views retain an undiminished precision and clarity of detail that brings old Washington into sharp focus mdash; timeless reminders of how a city and its people looked as a metropolis of pomp and power grew up about them. From the slums of Purdy Court to the turreted mansions of Dupont Circle; from the massive marble monuments of "Federal" Washington; to the humble shops and saloons of 7th Street; these rare pictures recall places and events steeped in meaning for a nation and its citizens: Lincolns first inauguration (1861); Ford̍s Theater draped in mourning (1865); Grand Review of the Union Army (1865); Old Willard Hotel (housed Nathaniel Hawthorne; Lincoln; Grant; Tyler; Pierce); portrait of Frederick Douglass and family (1885); homes of Dolley Madison and Francis Scott Key; Womenrsquo;s Suffrage Parade (1913); and many other historic; social; and geographic landmarks.This rich gallery of contemporary views also reveals nineteenth-century Washington as a showplace of architectural styles (Gothic Revival; Romanesque; Classical; Italian Renaissance; Victorian; etc.) employed to stunning effect by the master builders of the age: James Renwick (Smithsonian; Corcoran Gallery of Art); Benjamin Latrobe and Charles Bulfinch (Capitol); Robert Mills (Old Post Office; Patent Office; Treasury Building); Andrew Jackson Downing (Francis Dodge House); Henry Hobson Richardson (Henry Adams House); and many others.Side by side with its architectural splendor; the mundane life of the city is recaptured in remarkable images of an era when beer was a nickel a bottle and cows still grazed within sight of the Capitol. Here are turn-of-the-century schoolchildren admiring the newly opened Library of Congress; summer crowds mingling on the White House lawn in the administration of Chester Arthur; an Easter Monday egg-roll in 1898; Marine Band concerts; idyllic outings at Rock Creek Park; bone-shaking rides on a velocipede; parades; celebrations; inaugurations; and many other vignettes of people; neighborhoods; and daily life.The photos are arranged in an east-to-west geographic sequence (Capitol Hill to Georgetown) that roughly parallels the historic development of the city. Robert Reed has provided an informative introduction and captions; enhancing the unique and irreplaceable value of this collection. Historians; photographers; architects; visitors mdash; anyone interested in the process by which a muddy village on the banks of the Potomac became one of the great capitals of the world mdash; will want to have this book.


#1999232 in eBooks 2013-06-18 2013-06-18File Name: B00A7360YU


Review
6 of 6 people found the following review helpful. A worthy reference bookBy HelcuraThis book is an excellent reference on the history of the circus in England and in the United States. It is an exhaustive listing of names; places; playbills; performers; owners and other details. It will doubtless grace the shelves of many academic libraries.It is; however; excrutiatingly boring to read. The authors have compiled a massive amount of data; but they have not really written a book of the sort one reads - there is neither academic commentary nor any expansion on the lists. Even potentially exciting events such as elephants falling through bridges are rendered in barely interesting prose.If you want to know why the circus had such an influence in the United States or want to understand the experience of the circus from either the perspective of the audience or the performer; you will have to search out other books.This book is worth owning by those who are passionate about circus history or those who need to find historic details about specific circuses or people. Otherwise; dont bother.

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