(Note-for-Note Keyboard Transcriptions). 14 of Stevies most popular songs transcribed note-for-note for keyboard: Boogie on Reggae Woman * Hey Love * Higher Ground * I Wish * Isnt She Lovely * Lately * Living for the City * Overjoyed * Ribbon in the Sky * Send One Your Love * Superstition * That Girl * You Are the Sunshine of My Life * You Havent Done Nothin.
#2498674 in eBooks 2003-08-01 2003-08-01File Name: B00G28SA4M
Review
3 of 3 people found the following review helpful. Great book and worth every penny!By RixStix founderThis is a great book for anyone interested in becoming more proficient and fluent in the art form of drum circles. Im a much better facilitator of drum circles because of the principles; guidelines; suggestions; and teachings shared in it. If you are at all interested in facilitating drum circles; this book is a must read.1 of 1 people found the following review helpful. Even experienced facilitators that may not have read this previously will find great value in the practical application of conceBy Brad AndersonA must read for anyone interested in facilitating drum circles. Even experienced facilitators that may not have read this previously will find great value in the practical application of concepts that Mr. Hull describes in detail throughout the text. If you had to choose only one book to read regarding drum circles; this would be the one.14 of 14 people found the following review helpful. A very valuable book that transcends its titleBy James OshinskyArthur Hulls books are clearly written; packed with practical and useful information; and presented in a kind and humorous style that makes the material easy to digest. That would be enough positives for anyone interested in drumming; drum circles; music education; or music therapy to give this book a read-through. The kicker is that the books content has broad applications beyond drums and percussion. To my ear; what makes a drum circle work is sensitive listening; unselfish playing; high energy and enthusiasm; and a certain amount of serendipity and risk. Anyone who cultivates these qualities becomes a better improviser on whatever instrument they happen to play; so the ideas in this book are very valuable for saxophonists playing jazz; guitarists in jam bands; or chamber music string players seeking a tighter sound. These qualities also make for coordinated work groups in areas beyond music altogether; there are reasons that corporations have drum circle events at their meetings. Drum Circle Facilitators "serve the circle;" they are the alchemists who help bring out the musicality in a group of random drumming strangers by doing the minimum activities necessary to raise the level of the groups listening; and then getting out of the way so the main method of the groups learning is by doing. In this book there are dozens of anecdotal descriptions of what can go right and what can go wrong when leading drum circle events; mainly from Arthur Hull; but also from a selection of other experienced leaders in the Village Music Circles organization. The concepts are presented within an overall system of "triplicities;" a means of balancing three coordinated aspects of each leadership skill. This book also introduces a shorthand symbol system for keeping track of the events that take place in drum circle events. This system is tremendously valuable for music education; in the organization Music for People (teaching improvisation on all instruments); Hulls books are required reading in the training; and the symbol system has been used and extended to cover tonal instruments. To wrap things up and get out of the way here; this is a five star book that is a good read and it has much to offer all musicians; all music teachers; and educators and trainers who want their charges to function with harmony; rhythm; and high energy.