Its true. Its all true for Moby-Dick. Hes a killer; hes a fury; hes an angel of hell. Why if the white whale could talk hed talk like Ahab. Nantucket. 1851. Centre of a whaling industry that transformed blubber into the oils and candles that lit the world. Its there that a schoolmaster called Ishmael arrives to ship on a whale-boat. He enrols under Ahab; Captain of the Pequod a man bent on destroying the white whale that lost him his leg. Certain the destruction of his nemesis will slake his thirst; Ahabs single-minded pursuit of Moby-Dick consumes Ishmael; the crew and the Pequod itself. The spirit and atmosphere of Herman Melvilles masterpiece romantic; ambiguous; characterful and rich with allegory is captured on stage by simple8 with a treasure chest of talented actors; impressive musicians and intelligent scripting and directing - New Statesman.
#2395147 in eBooks 2013-04-16 2013-04-16File Name: B00BPSYQII
Review
1 of 2 people found the following review helpful. Wow!By MargaretIm about one third of the way through this book; and Im really impressed! Most of the information is on lighting; but Id never realized how important and complicated lighting could be. This book also covers some related topics for creating good looking video -- though I havent gotten to those yet. The author has a lot of relevant technical expertise; and does a very good job of conveying that knowledge. No previous experience is required; but I wouldnt call this a beginners book -- the depth of technical knowledge conveyed is impressive. This is a third edition; which tells you that "Lighting for TV and Film" has sold well over many decades.0 of 0 people found the following review helpful. Five StarsBy Sunny JosephGood.3 of 4 people found the following review helpful. Highly recommendedBy Ralph KeyserThis is a marvelous book as an advanced course in lighting. It provides a classic grounding in light effects and light theory. I would characterize it as an intermediate to advanced text book; so it is not a good choice for those just starting out. And while it is chocked full of valuable information; the writting style is very much text book as well; so many people may find the presentation a bit dry. Be aware that the focus is more on television; although most of the advice applies to film as well. If your interest is digital cinema; then this would be a plus for you. The book is also beginning to show its age in the section on lighting instruments. There are a number of instruments in common use today that are not covered in this book. That information; however; is readily available from manufacturers. Buy this book for its timeless information on light and its critical importance in the look of TV and film.