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Shapely Bodies: The Image of Porcelain in Eighteenth-Century France (Studies in Seventeenth- and Eighteenth- Century Art and Culture)

DOC Shapely Bodies: The Image of Porcelain in Eighteenth-Century France (Studies in Seventeenth- and Eighteenth- Century Art and Culture) by Christine A. Jones in Arts-Photography

Description

Drawing on her extensive experience as a creative arts therapist; Martina Schnetz puts forward a new approach to the process of art in healing. She explores the dialogue between the internal world; external images; and words; shaping a new vocabulary for creative arts therapists. The Healing Flow: Artistic Expression in Therapy is a theoretical and experiential account of the authors work with survivors of childhood trauma and post traumatic stress. Case studies are presented in this model. Through providing deeper insight into the creative processes; participants recover meaningful patterns in their lives; and restore connectedness between themselves and the world.


2013-05-16 2013-04-12File Name: B00CDJR1MG


Review
3 of 3 people found the following review helpful. not the correct keysBy beluda jubanlandoIf you are a serious musician/student; this book will be a complete waste of time. Almost all of the songs are in the wrong keys. What was especially strange was that they were not even in easier keys; which made me wonder what the point was! For example "Big Girls Dont Cry"; which is performed in G Major on the original Four Seasons and Original Broadway Cast recordings; is written in A-flat Major here. What is the point of raising the key on song that already sits high in the male range and is in a key that is harder to read for most pianists? Not that I have any trouble reading in any key; but usually the reason for transposing songs in these types of editions is to either make it easier for the vocalist or pianist (who may not be very proficient yet). That said; its annoying to have to transpose every song in the book to make it correct! I ended up returning it. With all of the inaccuracies; it is easier for me to just look up the chord changes for each song online and use it like a lead sheet. At least then my students can sing in the correct key. I cant imagine why anyone would find this book useful for any reason!6 of 6 people found the following review helpful. Not "Jersey Boys" ArrangementsBy captquint1214This is a fairly good Vocal Selection book. Most of the songs from the show are included (everything sung in the "Scrapbook" segment is left out); but other than that; it is complete. My one complaint is that all of the arrangements are for the original versions of the songs (including original key signatures) and in that way; this book does not accurately reflect the music from the show. Another concern is that "Cant Take My Eyes Off You" is written a half-step lower than it is performed (both by Franki Valli and the cast of Jersey Boys) which I can imagine would be frustrating for both musicians and soloists. This book also contains no background vocals. I still play it all the time and I enjoy the music of the Four Seasons very much; but I wish that this could be the actual "Jersey Boys" arrangements.0 of 0 people found the following review helpful. Five StarsBy KytwinGreat arrangements....early intermediate.

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