In Contemporary Latina/o Theater; Jon D. Rossini explores the complex relationship between theater and the creation of ethnicity in an unprecedented examination of six Latina/o playwrights and their works: Miguel Pintilde; ero; Luis Valdez; Guillermo Reyes; Octavio Solis; Joseacute; Rivera; and Cherriacute; e Moraga. Rossini exposes how these writers use the genre as a tool to reveal and transform existing preconceptions about their culture. Through ldquo; wrightingrdquo; mdash; the triplicate process of writing plays; righting misconceptions about ethnic identity; and creating an entirely new way of understanding Latina/o culturemdash; these playwrights directly intervene in current conversations regarding ethnic identity; providing the tools for audiences to reexplore their previously held perspectives outside the theater.Examining these writers and their works in both cultural and historical contexts; Rossini reveals how playwrights use the liminal space of the stagemdash; an area on the thresholds of both theory and realitymdash; to ldquo; wrightrdquo; new insights into Latina/o identity. They use the limits of the theater itself to offer practical explorations of issues that could otherwise be discussed only in highly theoretical terms.Rossini traces playwrightsrsquo; methods as they address some of the most challenging issues facing contemporary Latinas/os in America: from the struggles for ethnic solidarity and the dangers of a community based in fear; to stereotypes of Latino masculinity and the problematic fusion of ethnicity and politics. Rossini discusses the looming specter of the border in theater; both as a conceptual device and as a literal realitymdash; a crucial subject for modern Latinas/os; given recent legislation and other actions. Throughout; the author draws intriguing comparisons to the cultural limbo in which many Latinas/os find themselves today. An indispensable volume for anyone interested in drama and ethnic studies; Contemporary Latina/o Theater underscores the power of theatricality in exploring and rethinking ethnicity. Rossini provides the most in-depth analysis of these plays to date; offering a groundbreaking look at the ability of playwrights to correct misconceptions and create fresh perspectives on diversity; culture; and identity in Latina/o America.
#3087130 in eBooks 2004-01-15 2004-01-15File Name: B00CDM62VY
Review
0 of 0 people found the following review helpful. Poor quality.By calbertoThe entire cover of the book fell off as soon as my daughter opened the book. I am disappointed with this purchase.2 of 2 people found the following review helpful. Such amazing music - and this is a marvelous representation.By Laura KellyBasically I said it all in the title. The score for this Show is beautiful - and; at many times; haunting; therefore; it is key that the representation sold accurately represent the actual show - which this does!! I was ecstatic to see it; I sat down and did quite well; both singing and playing. I have about 8 hours piano experience; but I play more advanced pieces (especially as far as showtunes go) and I also knew the show well; so perhaps my actual Piano standpoint isnt that accurate; but I know that with some effort any intermediate student should be able to handle it.Bottom line: GORGEOUS.0 of 0 people found the following review helpful. Only one small complaintBy Kristin MLove it. My only complaint is that the song I want to sing the most is not in the book! (The version of Youll Be in my Heart" that grown up Tarzan and his mom sing as a duet. The one she sings alone is there and does have 2 notes on some parts though for a duet..still.) Otherwise; its great!