In seiner ersten Therapiestunde mit Dr. Melfi erklauml;rt Tony Soprano: "Es ist gut; von Anfang an bei etwas dabei zu sein. Dafuuml;r war ich zu spauml;t; ich weiszlig;. Doch jetzt habe ich manchmal das Gefuuml;hl; dass ich erst am Ende dazukam. Dass alles schon vorbei ist." In seinem brillanten ersten Buch beschreibt Alan Sepinwall; dass es eben jener Satz Tonys ist; der nicht das Ende markiert; sondern den Aufbruch zu etwas vouml;llig Neuem; bis dato in der Medienlandschaft Unbekanntem. Sepinwall wurde durch sein Blog "Whats Alan Watching?" zu einem der bekanntesten Blogger Amerikas. Als vielleicht bester Chronist der revolutionierten Fernsehlandschaft begleitet und erklauml;rt er die Umwauml;lzungen; die durch groszlig;artige; tief in die Verwerfungen der Postmoderne gestuuml;rzte Serien wie "The Sopranos"; "Lost"; "Mad Men"; "24"; "Breaking Bad"; "The Wire" oder "Deadwood" entstanden sind. Gerade von der New York Times als eines der besten Buuml;cher 2012 ausgezeichnet; ist dieses Buch eine geistreiche und kluge Kulturgeschichte. Zwouml;lf Seriendramen der letzten 15 Jahre verhandelt Sepinwall. Er erklauml;rt; wie die Kuuml;nstler hinter diesen revolutionauml;ren Sagas die Zeit; den ihnen gegebenen Raum und die Vertrautheit des Fernsehens genutzt haben; um eben dort die Grenzen des Erzauml;hlens zu verschieben - und wie sie gleichzeitig die komplexen philosophischen Ansauml;tze hinter ihren Werken sichtbar machen.
#239140 in eBooks 2013-11-21 2013-11-21File Name: B00GINHE6Q
Review
0 of 0 people found the following review helpful. Five StarsBy Christopher BrochonThis should be on the shelf of every Christie fan.4 of 4 people found the following review helpful. A comprehensive history of Agatha Christiersquo;s life as a playwrightBy BookreporterJulius Green has written a comprehensive history of Agatha Christiersquo;s life as a playwright. To people like myself; Christie was best known for her crime novels. But to others; she was well known as a playwright; as is evidenced by the contents of CURTAIN UP.Green has not written a biography of Christiersquo;s life; as he says there are already a number of goods ones out there. Rather; his intent is to set the record straight on her contributions to live theatre.He contends (and rightly so based on what he has written) that Christie was never given the recognition she deserved as a playwright. She was the first woman ever to have three plays running simultaneously in Londonrsquo;s popular West End theatre district. One of them; ldquo;The Mousetrap;rdquo; opened in 1952 and is still going strong; starting its 64th year of production. It is the longest-running play --- and show --- of all time.In the process of detailing Christiersquo;s theatrical accomplishments; Green puts them into historical perspective; listing other plays that were being done at the same time as hers. This is not only a history of Christiersquo;s work; but also somewhat of a history of the theatrical goings-on of the West End.Green; a theatrical producer who has been responsible for some of Christiersquo;s plays; tackles a heavy subject. Although he writes with some humor; most of the book is rather matter-of-fact. Still; he adds lots of interesting and fascinating material; including many never-before-published personal letters between Christie and others in the theatre business; giving the reader a different insight into her thoughts and ideas at the time.I have been a fan of Agatha Christie for many decades; having read a great deal of her short stories and novels. Until I read CURTAIN UP; I wasnrsquo;t fully aware of the role she played in the history of theatre. Many thanks to Julius Green for giving me a whole new perspective on the life of one of my favorite writers.Reviewed by Christine M. Irvin3 of 3 people found the following review helpful. Wonderully Informative piece of Christie HistoryBy Mahish10Surprisingly well researched and more important well written. Julius Green appears to be a meticulous writer and this one book does not insult the memory of the great Agatha Christie. Her grandson; Matthew Pritchard has been trying to make more money by adding to the Christie canon by getting people to write junk such as the awful Poirot novel; The Monogram Murders and less awful but meaningless (second volume) of secret note books. There is a small item in the book about how Christie who loved going to the theatre; took her grandson to see Shakespeare. I was quite reluctant to pick up this volume thinking it would be another redundant addition to the long line of post Christie; Christie. But it is a very nicely presented volume with history of the West End in the days of Agatha Christie which is a treat by itself. Actually there is a How Charles Laughton; an aspiring young actor those days played Poirot. I did not even realize that Poirot and Christie were so popular in the theatre those days. Mr. Green quotes briefly and poignantly from Ms. Christies life and those are very interestingfootnotes; such as divorce from Archibald Christie and the missing days in her life. Now I wish a book of her plays -not in Mousetrap and other plays-such as Alibi; Chimneys and others could be put together and published to mark another Christie for Christmas.It was surprising to read that Mrs. Christie in the 30s was highly regarded as a writer and a dramatist. In America; despite her enormous popularity; she has always been regarded as writing about cardboard characters with unusual twists in the end. Of course such writers do not merit generations of followers. It is great to note that reviewers talked of her depth of characters (in the plays) that reflected her undoubted genius. Unknown anecdotes about Akhnaton; not published until 1973; was a play written in the 30s. There is the association with Eden Phillpotts (who was a Victorian/Edwardian writer of great repute and who encouraged Agatha to write) daughter who wrote blank verse drama of the same character. These observations; meticulously documented are the rewards of this book. The early history is so much fun to read and this gives a better understanding of Agatha than many of her biographies; although the author states clearly it is not that. As a staunch Agatha Christie fan for far many years that I care to count; I found this book worthy of her memory.Please Mr. Pritchard; no more Monogram murders.