You have to laugh. It is a tragedy in three movements: The Thighs; The Dick; The Fame and a counter-movement: Italy. An actress creates a physical and vocal mask challenging a provocative; scandalous and beastly text. Words might be sung; howled and shrieked but a chant never emerges. In her naked physicality she tells a personal story in an unbroken flow of thoughts/words rendered as sounds and movement. The deafening screams being choked. Appeased. Imploded. This female onstage offers herself up in a feast; ready to be torn apart by anyone. A poetic piece born of the flesh that returns to the flesh; captured in a tightly-sealed aesthetic. Applause required. The Shit is driven by a desperate attempt to pull ourselves out of the mud; the latest products of the cultural genocide aptly described by Pasolini since the modern consumer society began taking form. A totalitarianism; according to Pasolini; even more repressive than the one of the Fascist era; because its capable of crushing us softly. Si deve ridere. E una tragedia in tre tempi: Le Cosce; Il Cazzo; La Fama e un controtempo: L Italia. Nella sua nuditagrave; e intimitagrave; pubblica; lattrice costruisce una maschera fisica/vocale sfidando un testo scandaloso; provocatorio e rabbioso. La scrittura egrave; cantabile; ma il canto non emerge mai; ed egrave; invece preponderante la chiave dell invettiva; del grido; del corpo che sussulta la sua storia personale in un flusso di pensieri/parole raccontati come suoni. Strazianti. Urla assordanti e contratte. Sopite. Implose. La femmina si offre dal vivo come in un banchetto; pronta a venire sbranata da tutti. Una partitura poetica che nasce cosigrave; dalla carne e alla carne ritorna; pur dentro a una rigidissima confezione estetica. Applausi obbligatori. La Merda ha come spinta propulsiva il disperato tentativo di districarsi da un pantano o fango; ultimi prodotti di quel genocidio culturale di cui scrisse e parlograve; Pier Paolo Pasolini all affacciarsi della societagrave; dei consumi. Quel totalitarismo; secondo Pasolini; ancor piugrave; duro di quello fascista poicheacute; capace di annientarci con dolcezza.
#2312560 in eBooks 2012-11-07 2012-11-07File Name: B00A3CX070
Review
0 of 0 people found the following review helpful. Maybe all you need is time... :)By Cinderella[[VIDEOID:56b436805b9e144264ab268933086078]]*MARK JENKINSONS little masterpiece has absolutely every explanation youre searching for; if youre a total beginner or even the way better average Joe already :)~ no need to take a class; if you have this book ~and even if published back in 2008 ~ still up-to-date !*The book is well structured; easy to understand (yes; really! easy) and very well organized; in 12 chapters - 277 pages.Every topic there is and can be for the beginners in photography is talked about ~ the book comes with many photographs; drawings; PROs and CONS; the PRO TIP; the little and bigger things youll be reminded of what to take care of...Youll find the topics you might be searching for... weddings... sports... night photography... people portraits... shooting still lives... and so many moreYoull also find a full glossary with all the terms everyone is using and everyone wants to know.Youll find the format -nbsp;6 in 9.2 in - very convenient: take this handy paperback everywhere you gonothing left to say but... I LOVE IT ~ VERY HAPPY ABOUT THE PURCHASETHANK YOU SO MUCH... to the author Mark Jenkinson :)*sorry for lingual mistakes ~ English is second language for me only*2 of 2 people found the following review helpful. fantastic intro for beginner photographersBy jlr2010I think this book does a great job introducing a novice (like myself) to the basics of photography. It provides a good basic understanding of how your camera works; and how to use it effectively to get the results you want. The author does two things: (1) he gives you specific; practical instructions for using your camera to achieve particular results (i.e.; use settings x; y; and z if you want to achieve result "a"); but he also (2) explains the functions behind those simple instructions; so you can understand the concepts and apply them to other situations (i.e.; x; y; and z give you result "a" because x controls this; y controls this; and z controls this; and this is how they all interact).The book covers everything from what basic equipment you will likely need (and why); to basic tutorials on using light and exposure to your best advantage; to tips for shooting landscapes; events; candids; and portraits; to what editing software would give you the most bang for your buck. One feature I really liked about the book was that most techniques that were discussed in the text were also illustrated with photographs; for instance; there were two photos of the same frog in a pond; one shot with a polarized filter; and the other shot without; so the reader can see the difference that a polarized filter makes.One distinction that needs to be made: this book is definitely for beginners. I would imagine that anyone who has completed any coursework or internship related to photography may not learn much from this book; thats not to say they wouldnt learn anything; but I would guess that much of what this book covers would be old information to anyone with previous experience.3 of 3 people found the following review helpful. Useful; but there are better free online resourcesBy Mark BThis book lays out the technical aspects of photography in very understandable terms. However; there is a lot of filler which slows down the learning process. After getting somewhat frustrated by the way a few of the technical concepts are explained; I searched online for some tutorials and cam across "Cambridge in Color" tutorials. Great depth and easy to understand; along with photographer tools to play with. I still refer to this book on occasion; but use the Cambridge in Color site for more depth.