bootstrap template
The Ultimate Country Fake Book: C Instruments

DOC The Ultimate Country Fake Book: C Instruments by Hal Leonard Corp. in Arts-Photography

Description

(Fake Book). An invaluable collection of over 250 of the best rock songs of all time; with nearly 70 new songs added for this spectacular 2nd Edition! For piano; voice; guitar and all C instruments; this fake book includes melody; lyrics and chords for: All Right Now * Amanda * American Woman * Angie * Another One Bites the Dust * Baby; I Love Your Way * Back in the U.S.S.R. * Barracuda * Beast of Burden * Cant You See * Carry On Wayward Son * Centerfold * Cocaine * Come Sail Away * Dont Do Me Like That * Dont Stop * Dream On * Dust in the Wind * Every Breath You Take * Free Ride * Hurts So Good * I Shot the Sheriff * Imagine * I Want You to Want Me * Imagine * Its Still Rock and Roll to Me * Killer Queen * Lay Down Sally * Layla * Lucy in the Sky with Diamonds * Maggie May * My Generation * Nights in White Satin * Owner of a Lonely Heart * Piano Man * Point of Know Return * Refugee * Rhiannon * Rock and Roll All Nite * Roxanne * Something * Summer of 69 * Sunshine of Your Love * Susie-Q * Take the Long Way Home * Tears in Heaven * Walk This Way * We Will Rock You * White Room * Wonderful Tonight * You Aint Seen Nothin Yet * and lots more! Features two tables of contents: one by artist; and one alphabetical by song title.


#546067 in eBooks 1983-08-01 1983-08-01File Name: B00G9586LU


Review
1 of 1 people found the following review helpful. Thoughtful and Thought-Provoking WagnerismBy L. LubinThis book contains what was originally a series of three lecture by Father Owen Lee; a renowned Wagner scholar best known for his appearance on the Metropolitan Opera broadcast intermissions over several decades. Although the subtitle "The Terrible Man and His Truthful Art" suggests an attempt to reconcile the composers personality with his output; it really has more to do with the influences on him (particularly Sophocles play "Philoctetes") and Wagners influence on subsequent art; literature and music. The third lecture focuses on Tannhauml;user as a summa of Wagners artistic predicament.It is thoroughly readable; and those familiar with Father Lees radio work will hear his voice throughout. End notes and an excellent bibliography fill out the volume. This is for intermediate and advanced Wagnerites. Neophytes will find much in need of further clarification.0 of 0 people found the following review helpful. Its not just that I disagree with his view. Even if I agreed with it; it shouldnt be presented as a definitive.By Delta D.Im unimpressed. Each and every Wagnerite has his or her own opinion. Given the vast literature on Wagner (and one point to praise in this book is that the author debunks the myth that there are "more books on Wagner than on anyone else except Christ and Napoleon"); this didnt seem to me to add much. Reading it is like like listening to a Wagner fanatic at a party. He or she is entitled to his or her view; but it is arrogant to assume that this is a definitive opinion. Its not just that I disagree with his view. Even if I agreed with it; Id resent the presentation of this as a *definitive* view.0 of 0 people found the following review helpful. the composer whom many of us love to hate and hate to loveBy W. MoorheadFather Owen Lee; whom some of us Old Guys remember from when he used to be a regular commentator on the Saturday afternoon radio broadcasts of the Metropolitan Opera; is very knowledgeable about Wagner; the composer whom many of us love to hate and hate to love. These 1998 lectures at the University of Toronto give a very helpful insight into a man who was a great composer and a fairly wretched human being. The third lecture; sort of a commentary on Tannhauser; is a great aid to understanding a beautiful but somewhat bizarre music drama.

© Copyright 2025 Non Fiction Books. All Rights Reserved.