A top-ranking director sets out his rehearsal techniques in this invaluable handbook for actors and directors. Different Every Night is the culmination of a lifetime of work in the theatre; the most complete rehearsal methodology in print since Stanislavsky. It offers a vital masterclass for actors and directors; full of sound practical advice and guidance; and is packed with techniques for bringing the text to life and keeping it alive - both in rehearsal and performance. Most of what I am as an actress I owe to Mike Alfreds. He gave me the language and the tools I needed for my craft Pam Ferris; from her Foreword If I was allowed to train again to be an actor; but I was only allowed one teacher; it would have to be Mike Alfreds. To me he is a genius when it comes to acting and storytelling Mark Rylance an illuminating and inspiring book... based in rich experience and acute observation of actors at work (and play)... essential reading for actors and directors Rogues Vagabonds
#814192 in eBooks 2013-05-16 2013-05-16File Name: B00CCTWQIQ
Review
0 of 0 people found the following review helpful. ... guitar tab book of one of my all time favorite guitar playersBy CustomerI finally got a guitar tab book of one of my all time favorite guitar players!0 of 0 people found the following review helpful. Five StarsBy H. GonzalezThank you!7 of 8 people found the following review helpful. Very Best of Michael Schenker?By kirkingtonThis book is the same book that was issued 20 years ago (which back then they called the best of Michael Schenker) except it has a new cover and title. One new song is included and two have been omitted that were in the earlier issue. None of the songs notation or tablature have been updated or improved or clarified which is dissapointing since there have been real advances in transcription technology since then. Considering all the great playing and writing Schenker has done since the early Best of book was issued; this collection can hardly be considered the Very best of his work. His important early work with UFO is neglected (only one song is included) and not even one song from the great Assault Attack album which contains some of Schenkers greatest playing.