An Essay Concerning the Project considers the practice of architectural design as it has developed during the last two centuries. In this challenging interpretation of design education and its effect on design process and products; Argentinean scholar Alfonso Corona-Martinez emphasizes the distinction between an architectural project; created in the architectrsquo;s mind and materialized as a set of drawings on paper; and the realized three-dimensional building.Corona-Martinez demonstrates how representation plays a substantial role in determining both the notion and the character of architecture; and he traces this relationship from the Renaissance into the Modern era; giving detailed considerations of Functionalism and Typology. His argument clarifies the continuity in the practice of design method through the nineteenth and twentieth centuries; a continuity that has been obscured by the emphasis on changing goals instead of design procedures; and examines the influences of modernity and the legend of the Bauhaus.Architectural schooling; he suggests; has had a decisive role in the transmission of these practices. He concludes that the methods formalized in Beaux Arts teaching are not only still with us but are in good part responsible for the stylistic instability that haunts Modern architecture.Abstract but not abstruse; An Essay Concerning the Project provides clear information for a deeper understanding of the process of design and its results. More so than any other recent text; it shows the scope and richness of the field of speculation in architecture. It presents subtle considerations that must be mastered if an architect is to properly use typology; the means of representation; and the elements of composition and in architecture. Students; teachers; and practitioners alike will benefit from its warning about the deeper aspects of the endeavor of architecture.
#2973152 in eBooks 2009-11-01 2009-11-01File Name: B00CZ7MQT4
Review
4 of 4 people found the following review helpful. Plautus duly appreciatedBy PraxandrosThis is one of the most important contributions in Plautine studies since Erich Segals "Roman Laughter". A close reading of six "plays about play-making" (Epidicus; Persa; Asinaria; Casina; Bacchides; Pseudolus); the book closes down on the cardinal Plautine figure of the servus callidus as the conductor and master-puppeteer of the playworld. This is a book with a thesis: that Plautine theatre is non-mimetic; non-illusory; non-realistic; that; inasmuch as it imitates not life but previous text; it is metatheatrical and intertextual at the outmost. Disadvantages? Slater sometimes overstates his case: for instance; the thesis that in the "Persa" the pimp Dordalus represents the "world of tragedy" (p.53) is one example of such overdrawn conclusions. But not many of those are to be found. Throughout the book; Slater offers specimens of sophisticated performance analysis. The book should perhaps be read in juxtaposition with Slaters newly published volume on Aristophanes.