Studienarbeit aus dem Jahr 2007 im Fachbereich Kunst - Malerei; Note: 1;5; Universiteacute; de Fribourg - Universitauml;t Freiburg (Schweiz) (Fachbereich fuuml;r neuzeitliche Kunstgeschichte); Veranstaltung: peinture et ses mythes fondateurs; 12 Quellen im Literaturverzeichnis; Sprache: Deutsch; Abstract: Die vorliegende Seminararbeit mit dem Titel bdquo;Der Vorhang des Parrhasiosldquo; geht der Frage der Augentauml;uschung in der Kunstgeschichte nach.Wie von Plinius uuml;berliefert; war bereits in der Antike eine wirklichkeitsgetreue und illusionistische Kunst Grund fuuml;r Wettkauml;mpfe unter Kuuml;nstlern. Folgend wird neben der antiken Quellen von Plinius dem Auml;lteren auch auf die Illusion und Tauml;uschung zweier verschiedenen Kunstepochen eingegangen: dem Barock und der zeitgenouml;ssischen Kunst. Nach einer Analyse der bdquo;Heiligen Familieldquo; von Rembrandt wird das Thema Illusion und Tauml;uschung anhand ausgewauml;hlter Werke des zeitgenouml;ssischen Kuuml;nstlers Tom Fruuml;chtl skizziert und aufgezeigt.
#2065332 in eBooks 2012-08-17 2012-08-17File Name: B00D5VOJP8
Review
4 of 5 people found the following review helpful. Theres much to learn from this book!By Frank CooperFascinating; scholarly study of neglected aspects of Western eroticism influenced by the East. If it doesnt read like a detective novel; thats not because it isnt the result of solid detective work; sound reasoning; and acute sensitivity to the meaning of the information. This is a real study for serious folk to consider; and to be brought into closer understanding of its most interesting subject.23 of 34 people found the following review helpful. blah blah blahBy othoniaboysA century ago; an Orientalist would have been a European savant who had deeply studied the cultures of Asia and North Africa. Since 1978 or so; an Orientalist is now a European bigot with a load of misconceptions about the Islamic (or; as Boone puts it; the "Islamicate") world. I am an elderly gay man who lived in Morocco in the 1960s; so this world is not simply something that I have read about; it is something that I experienced -- and no; not as a sex tourist. I am very widely read; and yet Boone taught me a thing or two. He has certainly done his homework; and he cast his nets wide. So far; so good; but I am no friend of academic jargon or of trendy leftism. Here Boone and I part ways. I dont like people who use silly words like "heteronormativity." I have no use for feminism or Queer Theory. I dont believe in equality of any sort. I think that Geromes painting The Snake Charmer is a masterpiece and not something to dissect or complain about. There is the usual padding of the text with surplus wordage; a common fault among people who write 250-page books and then fatten them up like geese until they reach 500 pages. A book is all the better for being lean and mean. I liked the section on Safavid miniatures; but what has this to do with Orientalism? The black-and-white pictures tended to be difficult to examine. Oh; and Thesiger wrote to me long ago and ranted about how much he despised gay men. The Suaid boy whose picture graces page 391 was in fact a skilled dancer and catamite; as one might glean from Thesigers Marsh Arabs but Boone missed this one.