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7 of 8 people found the following review helpful. Two Very Different Versions - Challenging; But EnjoyableBy Michael WischmeyerA few months ago I had the good fortune to find a copy of a parallel text edition (Regents Renaissance Drama series by University of Nebraska Press) of the 1601 quarto and the 1616 folio of Every Man In His Humour. My enthusiasm may seem surprising; but I did enjoy this rather obscure work. This play; Ben Jonsons first theatrical success; was first performed in 1598 by the Lord Chamberlains Men. Remarkably; the cast included Shakespeare; Burbage; and Kemp.The term humour; derived from the Latin word for fluid; refers to a Medieval and Renaissance medical theory that a mans health and personality were due to the balance (or imbalance) of four fluids; or humours: blood; phlegm; yellow bile (choler); and black bile (melancholy). The Elizabethan audience would have recognized that Jonsons characters were caricatures of various temperaments and personalities.Jonson later significantly revised this play. My edition compares the two versions on facing pages: the 1601 quarto with a Florentine setting and Italian names; and the 1616 folio with a London setting and English characters. I first tried reading the two versions in parallel; a page from one followed by the equivalent page from the other; but I was soon utterly confused. I began again; reading one version in its entirety before reading the other.Every Man in His Humour is more challenging than Jonsons better known plays. I was into Act 2 before I began to appreciate the humorous interplay between the characters. The turning point occurred when the servant Musco (weirdly named Brainworm in the London version) disguised himself as a penniless soldier looking for charity. I gradually recognized four intertwined themes:1) Two young; high-spirited gentlemen; Lorenzo Junior (Edward Knowell) and Prospero (Wellbred); deliberately encourage the foolish antics of other characters; quietly laughing at them in frequent asides.2) Meanwhile; Lorenzo Senior (Knowell) worries that his son is mixing with less reputable acquaintances.3) Musco (Brainworm) independently embarks on several zany ventures; all involving disguises; to assure that Lorenzo Junior (Edward Knowell) is beholden to him.4) And lastly; the merchant Thorello (Thomas Kitely) mistakenly convinces himself that his wife Biancha (Dame Kitely) and his sister Hesperida (Mistress Budget) are being wooed by the foolish mix of characters that descended upon his home. (Shakespeare may have derived the name Othello from Jonsons jealous Thorello.)For the reader new to Ben Jonson; I suggest starting with either The Alchemist; or Volpone; or possibly Bartholomew Fair. All three plays are widely available from publishers like Oxford World Classics; the New Mermaids editions; or the Dover Thrift editions (least expensive; but sparse footnotes).