Diplomarbeit aus dem Jahr 2006 im Fachbereich Kunst - Uebergreifende Betrachtungen; Note: 1;00; Fachhochschule Ottersberg; 27 Quellen im Literaturverzeichnis; Sprache: Deutsch; Abstract: Der erste Teil der Arbeit widmet sich dem Modell der Selektiven Optimierung mit Kompensation. Hierzu wird einleitend die Position und der Ursprung des Modells in der deutschen Entwicklungspsychologie geschildert; wobei besonderer Wert auf die Bedeutung der gesamten Lebensspanne fuuml;r die menschliche Ontogenese gelegt wird. Nach einem kurzen Exkurs in die Intelligenzforschung und eine Beschreibung der Grundlagen des Modells in der Alternsforschung; werden die Prozesse des Modells und deren Verauml;nderungen im Lebenslauf dargestellt. Der folgende zweite Teil der Diplomarbeit schildert die Anwendung des Modells der Selektiven Optimierung mit Kompensation auf die Kunsttherapie. Hierbei werden zuerst die Bedingungen der Uuml;bertragbarkeit beschrieben; die zugrunde liegenden Ressourcen und das Erfolgskriterium Wohlbefinden dargestellt und nachfolgend das SOC-Modell exemplarisch auf den kunsttherapeutischen Prozess nach Altmaier uuml;bertragen. Aus dieser Uuml;bertragung wird ein Modellvorschlag zum Auftreten der SOC-Strategien im kunsttherapeutischen Prozess abgeleitet; welches anhand der Konzepte anderer Kunsttherapeuten hinterfragt und gegebenenfalls verauml;ndert werden soll. Nachfolgend wird untersucht; inwieweit Schlussfolgerungen aus den gewonnenen Erkenntnissen gezogen werden kouml;nnen.
#4473272 in eBooks 2008-07-02 2008-07-02File Name: B00D5SEESI
Review
0 of 0 people found the following review helpful. Ear training /Music theoryBy Jakob Byager EvenrudThis is a book for the advanced and well trained amateur;students or teachers that need practical solutions to problems that occur when you work with music on a more or less daily basis. The area of theory / listening / analysis so on approves so many big and small questions that the most of us either "aim at" or "keep a hand on" ; to use some metaphors. In my personal opinion there is nothing like having a solid wall of musical experience before expecting particular results from studying - but the authors are the same as the ones that made another "easier" edition;by which I happened to buy a year ago. Practical Beginning Theory: A Fundamentals Worktext Honestly; I have never experienced to get as much out of sitting by myself ;singing;listening;tapping and playing(piano and guitar );but to a certain degree these books have taken some of the rooftop away - I have became a much better musician compared to where I cam from and would never have achieved the same progression in learning skills along with the assignments that followed the basic theory volume;which by the way come in only book;"two-in-one".The "Music in theory and practice " are put together by two parts ;part A " the fundamentals of music " and part B " The structural elements of music".Part A works with the same as before ;notation;scales ;tonality;key; modes; interval;transposition and chords.Part B is slightly more advanced and consists of all together 12 different chapters ;not important to mention that it all comes with listening examples that are described by full page notes and assignments to work with on your own or together with other; more than 400 pages ofWorkbook to accompany Music in Theory and Practice; Volume 1 with Finale Discount Stickerlearning and about two hundred pages of working lessons - real meat on the bone for every penny it is worth;in other words!Really; if things are getting stuck in your student apartment; I`d rather buy this book instead of a used coach... you will never regret it if you are sure to combine it with some methodical back up for rehearsal on the own instrument. As a supplement I must confess I have never seen anything more detailed ;complexed ; worked through and utterly recomendable!!BUY NOW!!!!0 of 0 people found the following review helpful. Great content ; cheap book coverBy AmethysI took music theory in college 10 years ago; this book content is beyond what I had learned. The material provided is very detailed and expansive; I look forward refreshing my memory while broadening my musical knowledge. One thing I find disappointing is the thin paperback cover. A textbook over $100.00 should have featured a hard cover; some people; like myself; will keep it overtime.1 of 1 people found the following review helpful. Not too shabby!By D Randy HastyI havent used any other music theory book so I cant rate it based off of my knowledge of theory books. The chapter itself can confuse me; but my instructor is great so he always clears everything up. But the illustrations in the book are great! And the last couple of pages in the chapter that show the exceptions and part-writing rules. And the homework is also really; really helpful. Overall; not great; but not bad either!